After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.

意大利人民反抗侵略，战争场面拍的相当宏大，各种优美流畅的长镜头，演员表演内敛自然，这部电影标志着意大利的电影人已经掌握了非常娴熟全面的电影技艺，被誉为当时意大利电影的最高成就丝毫不为过

A romantic drama/detective story about big-time copyright fraud and a bigger-time crush. A complicated love triangle plays out to a dramatic climax, taking us from a strip mall somewhere in the glaring dust of Los Angeles County to a dark forest in Germany.

A senior living facility is the home of one special family who holds the key to immortality among its elderly residents. Their younger, abusive employees are now the ones living on Borrowed Time.

Eric Cameron chronicles the relationship between Star Wars Episode VIII: The Last Jedi and the quaint town of Dingle, Ireland where it was filmed.

Sheela, an English activist of Indian origin, learns that her father has died, devoured by a tiger! Despite her hatred for this father who returned to India thereby abandoning her and her mother, Sheela and her husband go to India to sell the property she inherited. When they arrive, they encounter Bindu, a white hippie, who declares himself to be her father’s spiritual son, and who claims his right for the property. Not without charming Sheela…

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

A man struggles to find out the truth behind his identity while fighting an evil army.

Exhibition 　　Stepney Western (United Kingdom, 2025) by Harry Lawson is a documentary made in collaboration with a group of young horse riders from the inner city Stepney Bank Stables in Newcastle, sits at the porous boundary between fact and fiction, combining recontextualised iPhone clips shot by the riders, archival material from North East Film Archive and Lawson’s own footage.